Durham Art Guild Artist in Residence Experience

My time with the Durham Art Guild (DAG), as an artist in residence (AiR) has come to an end. It was bittersweet, excited about the new opportunities in front of me (more to come) but sad I won’t see everyone as often. I can highly recommend this 6-month (ish) artist in residence. I got so much out of it.

DAG Studio Space at Durham Bottling Company

I learned a lot about myself through this residence, which could be in part due to the fact I had a lot to learn about being a full-time artist for the first time in my life. Things I learned about myself:

  • I am scheduled driven person. Once I left corporate I thought I would never need scheduled meeting requests have my daily life ruled by planned activities. I was so wrong. I need all my meetings in my outlook calendar or I forget. I also need a weekly planner. I have much better focus and also tend to accomplish things with a weekly plan. It is really just a list for me, broken into three parts – Things I want to get done this week (art, business or home activities), stretch goals (activities I would love to do if I have extra time) and lastly things carried over from the previous week which have highest priority.
  • I enjoy working in a studio whether at home or outside the home. It is harder to have two spaces though, as you either need two of everything or you need to know what you need to bring with you depending on what you are working on.
  • As an introvert, I still find it hard to talk about my art but its easier if I take someone with me especially someone that will help promote my work.
  • I’m ok at administration tasks but terrible at the accounting side of my business (as in collecting receipts, mileage, and taxes etc. )
  • I need community and access within a future studio space outside my house. If I don’t get those things in a studio space, I can work from home.
  • I am terrible about asking for help but I learned when asked not to always jump to “I’m OK” and take time to think about items where I didn’t need to complete them on my own.
  • I got a lot out of hanging work I might now have shown if I had more time or I wasn’t restricted to only new work for the show. There was a lot of positive feedback and folks connecting to those pieces I wasn’t sure about. Seeing all the pieces together and hung also gave me a different perspective which let me accept all the pieces.
Fellow AiR (L-R): Delayna Robbins, me, Sanjé James, and Mentor Isabel Lu

Photo: Danny Peña ( IG: @pen_yah)

The residency not only gave me insights into myself but also provide me:

  • A close group of people who were my fellow AiR, DAG staff and also, our mentors in the program who I would consider friends. This was the best part of the residency. I cherish the friendships made.
  • Networking opportunities. I tried to attend and submit to every event DAG provided or shared. With this I met some more wonderful people, that I need to know in the art community, and other wonderful artists who I can converse with and learn from.
  • New Opportunities like First Christmas Market, First Critique, Second Solo Exhibition and more.
  • Opportunity to experiment and produce new work for 6-8 months.
  • Studio Space outside the house for free was invaluable, especially to work out what I need in a studio space if I was to pay for one outside my house.
  • Provided me additional skills in organizing a solo exhibition. Check out my checklist for a show.
Part of my Solo Exhibition Space

Photo: Danny Peña ( IG: @pen_yah)

There are things I wish I had known before or within the first month of the residence and things I would change:

  • I might have missed this originally or it didn’t sink in….The solo show was going to consist of just new work created during the 6-8 month residence. For me, this meant experimenting was really limited to the first two months, as I needed to start finishing things for the show. It worked out for the space 6-8 new pieces were needed for the gallery. I actually wish the residency could be longer to get more time to experiment.
  • A guide on what is needed for a successful solo show. Activities list, I should look at and dates in which I should have these completed.

Other than that, the experience is amazing, something every artist should get a chance to experience (especially as an emerging artist).

DAG Critique

Photo: Jacqueline Dulin (IG: @significantform)

If you are interested, the 2024 -2025 program (July – December with a show in 2025) is currently open for applications. You can apply here by 1st May 2024.

Getting Ready for a Solo Show

My artist in residence with the Durham Art Guild is nearing an end, and with that is my solo show. The artist in residence is approximately 6 months in length. The show should be new work that you’ve made during the show. There’s a lot to do to fill the space for the show, and a lot of background activities. So here’s my list below.

Space Planning

  • Make sure with the event space what insurance is with the space and what additional insurance you may need.
  • Think about a contract with the event space so it is clear what you are responsible for and what they are. Like installation and what systems they may want you to use.
  • Ask for a plan for the space and if there are any restrictions.
  • Visit the space so you know where things can’t hang because of air vents, security doors, alarm or light switches etc. The plans usually have windows and doors but not these other things.
  • Make a plan/map that eliminates or marks these spaces. I using use newsprint and divide all measurements (use inches) by 20. A 20 x 20″ piece will represent 1″ for example. Make sure you leave space between you pieces, so they can breathe.
  • In your plan put a thumbprint photo of the work piece (just from a normal printer) in the space you want it to be so you can see if it looks cohesive. Also, when you go to hang its a great plan for everyone helping to know what goes where.

Core Material for Show

  • Create a Title for the show, an Artist Statement and Bio. The event space or yourself may want to get this printed in vinyl text so you can add it to one of the walls or on a display board. Check out my previous post for my Title, Artist Statement and Bio.
  • Take 1-2 marketing photos that you want to use for your marketing material. Images need to be at a high quality so for printed material they look good.
  • Labels for each piece. These vary, mine have the name of the piece, size, material and price and a QR code for purchasing.
  • Hanging devices. For me that mostly means d-rings/wire or rods and screws or just screws. If you are working with paintings or photography you may want to purchase frames or make frames.

Event Planning


If your event runs for more than one week, you may want to think about other events to run in the space (with your gallery or event space), especially if you are local. I am doing the following for my solo show:

  • Opening Reception (3 hours) with 2 types of white wine (avoid red in case it spills), non-alcoholic beverages, and Charcuterie.
  • Afternoon Tea (bringing in something kiwi to the activities) with a reading from a friend who is a well known author, a pop-up shop with a local store and then a makers circle for those that want to stay.

    This is accompanied with tea and coffee and finger food (I’m thinking Ginger Crunch, Apple Squares, Sausage Rolls, Bacon and egg or Spinach and egg bites, and a Sponge with cream and Strawberries or Date Scones).
  • Tiki Tour (Artist Walk through) where I’ll personally walk through the show and talk about each piece and I’m hoping for a good Q+A.

    This is in the evening so I am providing light refereshments with wine and non-alcoholic drinks, cheese, grapes and crackers.
  • Lastly, Private Studio Tours which I’m using calendly for managing the bookings. You will need to pay for a license for a couple of months.

Other ideas include classes, a community project (which I’ve been running through the residence), lectures, tutorials, partner with other artists like poets or music and use do a joint event.

So, to summarize what you will need to organize:

  • Dates and times for each event
  • Beverages and Food for each event. Also you need to think about coffee and tea dispensers, plates, napkins, utensils and cups too.
  • License Calendly for booking if doing private tours
  • Confirm others you are working with
  • Organize Marketing around each event (more shortly on marketing).

Marketing

  • Design and print event postcard/flyer for a take away. It should use one of your marketing photos, title, event dates and time and location.
  • I did create a second postcard with a back that has room for me to write a message and send the postcard as an invitation.
  • Ask the event space if they have a press release mailing list. Use this to write a short (150 word) description about you and the show and send it off to the list for immediate release.
  • Drop off flyers to local businesses or businesses that will drive traffic to your event.
  • Use your social media to launch your event and publicize your event. Ask friends to share on their social media too. You can reuse your postcard images for social media marketing too.
  • Do a social media takeover for a week with the event space social media person/account. Include and introduction of you, your work, 1-2 reels on the process and walk through of the show.
  • Contact local guilds or art societies to ask them to put it in their newsletters for members who might be interested.
  • Write a couple of blog posts that support your event.

Additional Items

As I wanted to share my art process with this show, I had to organize/order the following too:

  • I ordered posters that had 1. the story/description of each piece, 2. Design and 3. Creation notes. 18 x 24″ and frames for each. Each one I would with a graphic designer as we will be creating a book from these.
  • I ordered canvas prints (8×10) for each of the inspiration photos. This meant I also had to remember to take the photos and edit the photos as well.
  • A couple of my pieces had furniture required so I made two wood benches and purchased a book case for storage of pillows and other smaller items.
  • If you aren’t local, you will also need to consider shipping.

For printing activities I used:

  • Moo.com for postcards (I always use for business cards and postcards though they are more expensive). Other options include Staples and Vista Print.
  • Posters, I used Staples due to easy access.
  • Canvas Prints I used Snapfish.com making sure it was during some of their coupons.

Let me know if you think I missed anything, or if you have questions.

Creating Connections

It has been 6 months since I started my Artist in Residence with the Durham Art Guild. With it coming to an end, I have a solo show with all new work March 15th – April 11th. My work for this residence explored more of my process but also looking at making pieces that may be more than just 2 dimensions.

For those that are local, I hope you can come to the Opening Reception March 15th and celebrate this journey with me. In the meantime, I’m sharing with you all the details around my show.

Artist Statement

Creating connections is about getting away from the daily routines and experiencing the world around me. It may mean taking a trip away, or it may just be a walk or grabbing a coffee in my local area, or it may be allowing myself to feel and process what is going on around me.

When I experience that “something”, I use photography to capture a reference image. These experiences tend to percolate in my mind until an idea forms into a design. I get to a point where I need to get that design on paper and bring the design to fruition in fabric. I love this process of creating – the color, the exploration, the problem solving – driving the deepening connection to the idea (inspiration) until a quilt is made.

Bio

Michelle Wilkie is a textile artist and designer of modern quilts. Her artistic practice revolves around modern quilting where she seamlessly blends traditional techniques with a contemporary twist, embracing both Improvisation and Minimalism.

This past year, Michelle has completed an artist in residence at Durham Art Guild and Penland School of Craft. She exhibited at Page-Walker Center in a solo exhibition “Eyes Wide Open”, and exhibited at CAM Raleigh, Truist Gallery, 311 Gallery and ArtSpace NC and curated international shows in France and Italy. Her work is included in the SAS Art Collection and other private collections and can be seen at Artfields exhibition in April. She regularly has work juried into International Quilt Exhibitions and has been featured in several magazines and has work published in the book Modern Quilts: Design of the New Century. 

Events

Address
Durham Art Guild Golden Belt Gallery
Mill No. 1 at Golden Belt Campus
800 Taylor St.
Durham, NC 27701
Public Hours
Monday – Saturday: 10:00AM-7:00PM
Sunday: 12:00PM-6:00PM

Opening Reception
15th March 2024 6-9pm

Enjoy an evening of art with the opening reception for Michelle Wilkie (DAG Artist in Residence) show, Creating Connections.  Come along to see all new textile works that are inspired by elements or emotions she has experienced. A charcuterie plate accompanied with Michelle’s favorite wines, beer and non-alcoholic beverages are provided. 

Afternoon Tea and Reading with Frances O’Roark Dowell
23rd March 2024 3-5pm

Spend an afternoon with us and share in a casual afternoon tea, in the style Michelle remembers from home (NZ), while listening to a reading by local author Frances O’Roark Dowell. While enjoying your tea/coffee accompanied by some savory and sweet bites, bring a project to work on and chat to others (projects could be sketchbook drawings, hand stitching, knitting, crochet, etc). If you forget a project or need new items, no problem, Freeman’s Creative pop-up shop is on-hand where you can purchase what you need. 

France O’Roark Dowell

Frances O’Roark Dowell first combined her love of storytelling and quiltmaking in her 2016 novel Birds in the Air, followed by the short story collection, Margaret Goes Modern. She currently leads a thriving online community at QuiltFiction.com, where she shares weekly updates on her Milton Falls quilting stories, including Friendship Album, 1933 and Diary of a Mad Quilter. Frances is also the bestselling and critically acclaimed author of over 25 books for middle-grade readers. 

Tiki Tour (An Artist Walk-through)

tiki tour (New Zealand Slang)

1. a sight-seeing journey with no particular destination in mind.
2. taking the scenic route to a destination.
3. to wander aimlessly.

You are invited to come on a tiki tour, as Artist Michelle Wilkie, shares her art process from inspiration to the final art work on some of the pieces in her solo show, “Creating Connections”. Stay, enjoy a beverage and light finger foods, while relishing in conversation and an informal Q+A. 

Private Studio Tours

You can also reserve private studio tours during the weeks the show is showing, Mondays – Thursday. Book via Calendly here.

Stay tuned for the next post on my recommendations on pulling a solo show together.