Author Archives: mlwilkie

About mlwilkie

Software Developer, Mother, Wife with keen interest in art, design and crafts of all kinds.

Phased Circles {Pattern Release}

Phased Circles is a very special quilt for me. It was the first quilt that truly identifies who I am. It really made me realize quilting is something I want to do, its something I love.

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It was designed from a doodle and plays with color and volume. I recently had a great time teaching the block at Cary Quilting Company. It was so great what other people could do with the pattern using their fabric choices.

Now, it can be your turn. The digital pattern for Phased Circles is now available for purchase, in both my Payhip shop and on Craftsy.

I would love to see what you make, so tag me on Instagram (@ml_wilkie) and use the hashtag #phasedcirclesquilt.

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B is for Blue

While I have been somewhat absent from my blog and Facebook the last month, it does not mean things have not been happening over here. One of the projects I had the pleasure to work on was “B is for Blue” quilt and write-up a pattern for Curated Quilts Minimalistic Edition.

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Photo Credit: Curated Quilts

I love minimalism and have been inspired by the works of Josef Albers, Ellsworth Kelly, Donald Judd and Carmen Herrera. Minimalism is not as easy as folks think. Yes, making the quilts are quick but designing requires a lot of editing and eliminating elements, and quilting needs to be added to complement the minimal aspects as well.

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For “B is for Blue” I was inspired by a photo I had taken of an old typeset shop. They had these typeset furnishings to store the blocks. As I played with the inspiration elements, I saw the core outlines of the shelving units and the gaps between them. Through eliminating some of the lines from the shelves and the blocks this is the design I came up with.

The color palette for this quilt was a challenge for me as these blues are just not my usual combination. I usually go for a navy or a bright darker blue. Living in Cary NC, it feels very University of NC inspired while I prefer the blue of Duke University. It was fun to see how the palette worked together.

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Quilting was added, currently just the vertical lines at approximately 1.5 to 2″ width but I plan to add some horizontal lines to the quilt as well. These lines will pull out the idea of a typeset tray.

Lastly, I used a Tula Pink light blue stripe print from the Elizabeth line. I felt that the stripe broke up the blue and added interest to the quilt.

Details

Name : B is for Blue
Design:
Design by myself
Fabric: Kona Cotton (Torch, Stratosphere, Sky, Prairie Sky)
Binding: Tula Pink, Elizabeth, Tent Stripe in Sky
Dimensions:  60 x 60″
Quilted: Straight Lines ~ 2 inches apart (domestic sewing machine)

If you are interested in submitting work and participating in curated quilts, take a look at their submission guidelines page. They have a great mini quilt challenge each quarter that you can take part in.

 

 

Submitting to a Magazine

I have now been submitting patterns to quilting magazines/publications going on 3 years, with at least 4-6 publications a year. I have been very lucky and have had great experiences with those I have worked with. Have you every thought about submitting to a magazine but not sure how to do it? Here are some pointers based on my experiences.

Submission process

  1. First step pick up a couple of issues of the magazines that you want to submit to. Check out layout, content, aesthetic. Make sure your project falls into their aesthetic.
  2. Start by checking the submission guidelines for the magazine you want to submit to. If you can’t find them, reach out via email requesting them.
  3. Depending on the submission guidelines, you may be required to submit a finished quilt or just design/ideas. I like submitting a couple of designs and offer to change size and color to make it easier to fit with an upcoming issue.
  4. It is important to submit the designs/or quilts to only one magazine/publication at a time. Don’t submit the same design to multiple magazines.
  5. The submission response varies for each magazine. I have had everything from 1-4 weeks. Communication maybe across multiple emails deciding on dates, and aspects of the pattern.
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Quilt used for Best in Show, QuiltCon Magazine 2017

Contract process

  1. Once they say yes, they should send you a contract. Don’t agree to doing anything without a contract (I learned this lesson the hard way).
  2. If you can afford it, have a lawyer read through the contract and explain it to you.
  3. If you can’t afford a lawyer some of the key things you need to read are;
    • When do your rights get returned to you? It is common that this is 6-12 months for most magazines/publications.
    • What gets returned to you? Do you have the rights to re-publish? I like to get me rights back to then publish as my own pattern to sell. Rarely, but sometimes magazines will give you the rights to the images as well.
  4. Most magazines do not allow you to share on social media until the magazine//publication is on sale. When they are about to release, several publications will provide you with images to use. If they don’t ask if they can. You can ask if you can have the rights to those photos for your future use as well.
  5. Validate payments language and stipulations
    • Check when you receive the money, and the process of payment. Many will require you to submit invoice or purchase order. Others will need to receive the delivery before they pay. The other option I have seen is that payment will be made once the issue starts to ship.
    • How much are you being paid? This is typically negotiable, but if its your first publication you may want to balance experience and worth.
  6. Do they have terms in there for re-use? If yes, how much will they pay for re-use across other media and forms. Ask yourself if this is something you want. You may want to negotiate this.
  7. Terms and conditions are typically included on what happens if they choose not to use your project.
  8. Contracts may include and should include expectations on deliverables, timing and possibly shipping details.
  9. Shipping costs to the magazine, most will pay for the returning of the quilt, others may repay your shipping costs, you may need to pay it yourself. You will need to submit receipts for repayment.
  10. Some magazines have partnerships with fabric manufacturers and may be able to provide you fabric. I typically will use my own fabric for a submission but if this is something you are interested in, there is no harm in asking.
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Image Provided by Love Patchwork & Quilting

Delivery Process

  1. Make sure you understand what you need to deliver and when. It is important that you are on time with your deliverables. Life happens though, just communicate as early as you can and let them know the situation and most will work with you on any issues/delays etc. Communication is key.
  2. Most magazines will convey how they want the content delivered. They may provide you with templates and specific instructions. Make sure you follow the instructions.
  3. Mostly, I have written most of the patterns as part of the submission (see expectations for print) which is one of the deliverables. Some magazines may prefer to write it themselves. Check what your responsibilities are.
  4. I have seen that typically word is the preferred file format for the actual pattern  – if there is no template check out previous releases to get an understanding of what they are expecting.  You may want to include:
    • An introduction, quick blurb about your project.
    • Materials
    • Cutting instructions
    • Step-by-step pattern directions
    • Notes, Tips and acronym dictionary (if you used any, like WOF, RST etc. )
  5. For the instructional aspects, you may be asked for photos to illustrate your instructions. Make sure you check with the publishing body what backgrounds are OK, size of the file and make sure they are sharp and well lit.
  6. If you are asked to provide diagrams it maybe best to use illustrator and save the .ai files. Most magazines will have designers who are savvy in illustrator. They may require specific size work areas, file types and/or layers within illustrator.
  7. I will store all my soft copy deliverables in a google drive and share that link with the contact person to pick up. Keep an eye on your email in case something is incorrect or wrong with the delivery of the files.
  8. For the quilt, if you have agreed on techniques, color and size; if you decide to change any aspect you agreed upon communicate with your contact point and get mutual agreement on the change before moving forward with it.
  9. Make sure you know who is responsible for the photography of your quilt. Know when you have to ship it to get it there on time.  Understand how the quilt will be returned and ask for a tracking number so you know your quilt arrives on time.
  10. Ship your quilts following their instructions (if any are provided). Pack it in a plastic bag, include the invoice for the project, so they know which project it is for.
  11. You will likely need to also provide a headshot photo, and additional information about you like Instagram name, and blog.
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Image Provided by Love Patchwork & Quilting

Expectations for Print

  1. The publishing company will edit your pattern, both from a formatting perspective and actual content. They need to fit it within their allocated space for the design, don’t be shocked if they have made major changes to the document you sent them. It is likely that you will not have a chance to review it.
  2. The publishing company will also use a graphic designer/ illustrator to modify your diagrams etc to ensure it matches their formatting and may combine or separate them into one or more diagrams. They may add to your diagrams.
  3. Until the quilt is scheduled to be released you may not hear again from the publishing body. You may not know if your quilt lands up on the cover until they send you a social media package….its all a very exciting.
  4. To promote your quilt ask for the photos you want, if you would like additional pictures…sometimes they don’t send all of them to you. I always ask for the staged quilt photo and the full front view of the quilt.
  5. The company will typically ship back your quilt once issue if released and most will provide you with a copy of the issue.

If this is something you want to do, don’t be afraid. The worse case is they say no. Now this shouldn’t be taken poorly, your quilt just might not be right for that magazine/publication. Try it with another magazine that may fit better. Best case you will have a quilt in an upcoming publication.

Please note, that these tips are based my experiences, and others may have had different experiences. Feel free to leave a comment if you have experienced something different so others can learn, or if you have other questions and I will do my best to answer it.

Triangles All Round {a finish}

A couple of weeks ago now was the Modern Quilt Guild’s QuiltCon. This year, I decided to participate in the MQG Mini Quilt Swap (#MQGSwap). I decided to use a WiP to make it easier. As you may know, I leave everything to the last-minute so starting with a finished top I thought would be more likely that I would complete it on time.

This top consists of nested triangles. I used all Alison Glass fabrics. A mix of Alison Glass text print, and blue Handcrafted fabrics.

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I really wanted to try something new with this mini, so right up front I wanted to try faced binding. This is the tutorial I used. It was easy enough but I would fine tune the corners and work out how to finish these a little better.

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I quilted it using my walking foot for straight lines. I created a focal point using the tip of the triangle as the pointer. For interest, I varied the widths. Also,  I stitched in the ditch for the actual Handcrafted triangle, keeping with the minimalistic look.

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I managed to finish it up in the Carolyn Friedlander lecture, 10 minutes before swapping. Nothing like finishing at the last-minute, though I was able to capture a quick pic outside the convention center.

Mesa Quilt {Southwest Modern + Giveaway}

Last year, a new book had become available for pre-order on Amazon and after seeing Kristi (@initialkstudio), I was so excited to have this book in my collection. I was so ecstatic when I was asked to be part of her blog hop.

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The book takes you through a journey in the southwest of the USA, and the influence of this area is seen within the quilts. The book has an amazing layout and beautiful photography. When deciding on a quilt, I wanted to choose one that I could bring in the influence of North Carolina.

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North Carolina has a diversity in environments as it stretches from the mountains to the beach. This region also has rich history and traditional quilting background. As the Mesa Quilt is a modern version of a log cabin, I decided to do this pattern, which I thought was fitting with the traditional quilt making of NC.

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For the color palette and the material, I was influenced by a Gees Bend Quilt. I used mostly recycled fabric, blue jeans, shirts, ties and a feed sack. This was a quick make and it was so much fun playing with the color palette and placement.

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I interfaced many of the stretchy or less stable fabrics with interfacing to make them easier to sew. I have a quilting plan for this quilt already, using a mix of grid lines, walking foot shapes within sections, and straight lines.

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I really enjoyed this quilt top finish and hope to make more of the projects including some of the amazing triangle based quilts. If you want to see more, please check out the other projects that are on the blog hop:

Last but not least, you too have a chance to get your hands on a copy of this book. To be in with a chance:

  1. Enter follow me (@ml_wilkie) and @initialkstudio on Instagram
  2. Leave a comment below.
  3. For an extra chance, leave a comment on the Instagram post (@ml_wilkie)

I will randomly choose a winner at 8pm EST tomorrow. If you are not selected, there is another chance for you….Kristi also has a Grand Prize Giveaway that will be happening at the end of the blog hop. Sign-up for her newsletter and you’ll have a chance to win:

  1. Signed copy of the Southwest Modern by Lucky Spool
  2. FQ bundle by Robert Kaufman
  3. FQ bundle by Me & You Fabrics
  4. Southwest Modern Thread Collection by Aurifil

 

March {Plan}

Wow, it is March already. Where did February go?? Let’s get down to business, and plan out the rest of the month….lots to do on this end. I am happy with the progress I have made over the last two months….though not necessarily in all aspects (ie. the book is still moving but slowly). Some of the highlights include:

  • Business: Complete Teaching Plan and submitted to LQS + Classes are scheduled for Q1 + Q2, Supply lists sent
  • Book: Finished Project Plan
  • Book: Finished Border 2 for Art Deco Medallion
  • Deadline: Send finish quilt and pattern for magazine
  • Deadline: Wrote and sent article for MQG
  • Deadline: Sent quilt to Quiltcon
  • Deadline: Finish #mqgswap item
  • Attended QuiltCon

So, the latter 1/2 of this month I would like to focus on my book. Here are some of the key activities I would like or must accomplish.

Category Project/Activity Target Date (day/month) Action
Business Quickbooks  3/6  Purchase + add financials
Business Submit Taxes + Annual report 3/11 Pay someone to do this
Business Phased Circles Pattern for Class in April 3/16 Send to Graphic Designer for layout
Business Teach Improvisation Class 3/17 Preparation Complete
Deadline Interview|Article 3/5 Complete
Book Group Quilt  3/5 Sent for quilting – Complete
Book Manicured Garden Quilt 3/18 Send for quilting
Book Chapter: “Art Deco
Medallion”
3/31 Finalize Content for Chapter
Book Art Deco Medallion
Quilt
 3/31 Finish Border 3+4
Book Chapter: “Manicured Gardens” 3/31 Finalize Content for book
Fun Monthly “Favorite
Things” Giveaway
 3/5 Complete
Fun Traveling Stitches Blocks  3/5 Complete
Blog Month Plan  3/5 Complete
Blog Book Update  3/8 Planning your book
Blog Blog hop post 3/12 Complete
Blog MQGMiniSwap 3/17 Complete
Blog How to Submit to a Magazine 3/24 Write Post
Blog Traveling Stitches 2018 3/31 Write Post
Balance Health 3/31 Loose between 10 pounds. Increase vegetables; 8 glasses of water and exercise 3x a week by March end.

I am interested in those that are running a business or growing your quilting hobby, what do you plan out or do to keep track of everything?

QuiltCon: Quilt Show {Part II}

The best story I have of QuiltCon, was meeting a young boy (around 10-11?) who had won third place in the Youth category. He was with his mum and dad. Other than the fact the boy had won, all three of them had a quilt in the show. It was so heart-warming that they all had this love for quilting.
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So, yesterday we talked about the use of solids (trend #1), and texture (trend #2). Ok, so the quilts and other trends that I saw continues today….

3. Use of Prints

One of the biggest surprises to me, was the increased number of quilts that utilized prints. I love quilts that use prints but still have that modern feel.

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Digital Offcuts, Kathy Thorncraft (@iamacraftykat)

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Positive : Negative, Lorena Uriarte (@lorena_in_syd)

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Macaroons #57, Sarah Hibbert, (@quiltscornerstone)

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Incidental Collaboration, Nora Renick Rinehart (@fiberistanora)

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Infinité IV, Sophie Zaugg (@lunalovequilts)

4. Hand Quilting and FMQ

There seems to be a movement to over the last couple of years to embrace a variety of quilting techniques in the show, not just the expected matchstick or straight lines. I saw an increase in hand quilted quilts and more modern-styled FMQ.

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Lateral Ascension, Cassandra Beaver (@cassandra.beaver)

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Lateral Ascension (Close-up)

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Mod Garden, Jack Weise

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Mod Garden (Close-up)

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Vortex, Ardelle Kerr (@rosecityquilter)

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Vortex (Close-up)

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Hillary Goodwin (@entropyalwayswins), Quilter: Rachel Dorr (@racheldorr)

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Close-up of Rachel’s Quilting

5. Faced Binding was very common on quilts this year.

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Color Study H1, Victoria Findlay Wolfe (@victoriafindlaywolfe)

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Mountain Town, Mary Keasler (@mizcontrary)

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Fauchet, Virginia Robinson (@minnowpeck)

6. Quilts with a Message

Last but not least…
Every year there are a couple of quilts that bring a strong message, whether its supporting women rights, speaks out against gun violence or highlights the current social and political climate. This year was no different, except I think more people (including a large number in the youth category) are using their art to make a statement. Here are a few from this year and there were many more.

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Get Woke, Chawne Kimber (@cauchycomplete)

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Get Woke (close-up)

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Veer, Jacquie Gerring (@jacquietps)

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Strong Tradition, Allison Chambers (@downtownquilter_allie)

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America the beautiful, Ann Guiam (Youth Category)

This quilt above, I left last as this had the most impact for me. It was the winner in the youth category (person under the age of 18). As I stood reading the description written by one so young, I was bought to tears. You see my son is ten, in elementary school in the US, and Ann’s description sunk in deep. Here is Ann’s description:

“I created this quilt because of the mass shootings and terrorism that have occurred during my lifetime have unfortunately led me to question the true beauty of America. These acts of violence have impacted the lives of so many people both directly and indirectly and I hope this quilt will serve to bring awareness to this societal issue and also honor the lives of those who were harmed. The bottom half of the quilt is simultaneously supposed to symbolize the American flag and a classroom because I worry that kids in school are learning to normalize these horrible events because they are so frequent.”

That’s it from me on the quilts of the show, additional information on the winners of QuiltCon awards can be found here.