I have been a little on the slow side sharing some of the great news over the last 4 months or so. The first is that I was lucky enough to be included in Uppercase new encyclopedia “Quilted“. This volume includes two types of articles, Artist Profiles and Interview and Quilt Stories. My quilt, Sunday Best, was selected for one of the quilt stories. I am so happy in getting to celebrate Sunday Best in this beautiful book.
The celebrations continues though. At QuiltCon this year, I shared a room with a friend who woke me up with gleeful text messages and then a wake-up call, to explain that Sunday Best published in Quilted was highlighted by Mel Giedroyc (on her new instagram account @melgquilting). I was like who??? Since then, I now know that she was one of the presenters/judges from The Great British Bake Off, who has started a new and the funniest weekly podcast, Mel Giedroyc is Quilting. I listen every week, and am honored for the mention.
In January, I received my copy of Curated Quilts issue 10: Black & White. Inside was my article on learning how to see the world around you to find inspiration for quilt design. This was the first time, my photographs were also published, which I was super excited about. The photos are my forever memories from a trip to New York, Morocco and a family beach vacation I took last year. When I saw Amy and Christine, they commented on how much they loved the photo’s. They also suggested I submit again. Yay!!
Lastly, in Curated Quilts Issue 11: Appliqué, Manicured Gardens was curated into the issue as one of Gallery quilts. This issue is so special, as it also includes quilts from my close friends, Ginny Robinson and Melissa Herboth (our quilts share gallery pages).
I am super excited to start my year off like this. Who knows what else will come for 2020?
I always love looking out the window when flying. There are so many interesting patterns you can see from above. I was on a trip flying into Denver when I saw this intersection of roads and was fascinated by the simplicity and space.
The next day, I immediately started putting a design into fabric. I love the blue hue in the black of Kona Pepper and then the mix of white would be perfect to represent the simplicity, minimalism of the arial. This mini quilt top came together quickly, one afternoon of Sewtopia.
Unfortunately due to other deadlines, the top went on the WiP pile though I had ideas for quilting already. Finally, when I picked it back up in July, I realized I wanted to make some changes. To keep the simplicity, I decided to move the curved line on the left and leave it negative space. Also, I had missed one of the lines coming off the vertical line, and wanted to have it in the design. Adding it as stitched ghost-like line seemed the perfect solution to the miss.
For the quilting, I loved the idea of using various directional and spacing straight lines to represent neighborhoods or property boundary lines. In the end the texture of the quilting is amazing.
Lastly, I decided to face bind the quilt and not add a standard binding. One due to the size of the quilt but also to keep the minimal and simple look of the quilt. I really enjoyed the process of this one and how it turned out. I am hoping to enter it at QuiltCon later this year.
Name : Outskirts of Denver
Design: Original Design
Fabric: Kona Cotton (Pepper, White)
Binding: Carolyn Friedlander (Faced)
Backing: Neutral Scraps
Dimensions: 19 x 22.5 in.
Quilted: With 50wt Aurifil , using domestic machine walking foot, straight lines various directions and spacing
You never know when inspiration will strike. The family and I were on vacation at Lake Powell (AZ) and the carpet of the hotel caught my eye. I immediately had an idea for making this into a quilt. I just was not sure how.
I subscribed to three magazines, Selvedge (textile based magazine), Quiltfolk (quilting community and connection) and Uppercase Magazine (arts and crafts). I love Selvedge as it has amazing color palettes, and this issue (in photo) inspired the palette of peach, bronze, blue and greys.
When revisiting the carpet inspiration, I thought they looked like broken Half-Square Triangles (HST). Experimentation with a column of HSTs and cutting them into threes of different widths was where I started. I shuffled the thirds, varying the placement and added filler strips to give this broken look.
I was really pleased how it turned out and liked how the bits of color in the filler blocks could lend itself to a shift/transition between colors, especially thinking from light to dark. I decided to take advantage of the transition affect in the mini quilt, adding movement in the quilt.
This finished mini was perfect for a gift/swap for a friend, and its so good to know that it has a good home.
Name : Spliced
Design: Original Design,
Fabric: Painters Palette Solids, Paint Brush Studio’s
Binding: Painters Palette Solids, Paint Brush Studio’s
Backing: Gleaned, Carolyn Friedlander
Dimensions: 22 x 18 in.
Quilted: With 50wt Aurifil , using domestic machine walking foot, straight lines on the 45 degree diagonal with opposing overlapping lines in the center (1/2″ apart).