Category Archives: Project Finishes

Outskirts of Denver {a finish}

I always love looking out the window when flying. There are so many interesting patterns you can see from above. I was on a trip flying into Denver when I saw this intersection of roads and was fascinated by the simplicity and space.

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The next day, I immediately started putting a design into fabric. I love the blue hue in the black of Kona Pepper and then the mix of white would be perfect to represent the simplicity, minimalism of the arial. This mini quilt top came together quickly, one afternoon of Sewtopia.

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Unfortunately due to other deadlines, the top went on the WiP pile though I had ideas for quilting already. Finally, when I picked it back up in July, I realized I wanted to make some changes. To keep the simplicity, I decided to move the curved line on the left and leave it negative space. Also, I had missed one of the lines coming off the vertical line, and wanted to have it in the design. Adding it as stitched ghost-like line seemed the perfect solution to the miss.

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For the quilting, I loved the idea of using various directional and spacing straight lines to represent neighborhoods or property boundary lines. In the end the texture of the quilting is amazing.

Lastly, I decided to face bind the quilt and not add a standard binding. One due to the size of the quilt but also to keep the minimal and simple look of the quilt. I really enjoyed the process of this one and how it turned out. I am hoping to enter it at QuiltCon later this year.

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Details

Name : Outskirts of Denver
Design:
 Original Design
Fabric: Kona Cotton (Pepper, White)
Binding: Carolyn Friedlander (Faced)
Backing: Neutral Scraps
Dimensions: 19 x 22.5 in.
Quilted: With 50wt Aurifil , using domestic machine walking foot, straight lines various directions and spacing

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Spliced {a finish}

You never know when inspiration will strike. The family and I were on vacation at Lake Powell (AZ) and the carpet of the hotel caught my eye. I immediately had an idea for making this into a quilt. I just was not sure how.

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I subscribed to three magazines, Selvedge (textile based magazine), Quiltfolk (quilting community and connection) and Uppercase Magazine (arts and crafts). I love Selvedge  as it has amazing color palettes, and this issue (in photo) inspired the palette of peach, bronze, blue and greys.

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When revisiting the carpet inspiration, I thought they looked like broken Half-Square Triangles (HST). Experimentation with a column of HSTs and cutting them into threes of different widths was where I started. I shuffled the thirds, varying the placement and added filler strips to give this broken look.

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I was really pleased how it turned out and liked how the bits of color in the filler blocks could lend itself to a shift/transition between colors, especially thinking from light to dark.  I decided to take advantage of the transition affect in the mini quilt,  adding movement in the quilt.

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This finished mini was perfect for a gift/swap for a friend, and its so good to know that it has a good home.

Details

Name : Spliced
Design:
 Original Design,
Fabric: Painters Palette Solids, Paint Brush Studio’s
Binding: Painters Palette Solids, Paint Brush Studio’s
Backing: Gleaned, Carolyn Friedlander
Dimensions: 22 x 18 in.
Quilted: With 50wt Aurifil , using domestic machine walking foot, straight lines on the 45 degree diagonal with opposing overlapping lines in the center (1/2″ apart).

Tread {a finish}

The design for this quilt, Tread, was originally created as part of an article for the Modern Quilt Guild (MQG) on finding elements and designing a quilt. I was lucky enough to be asked to make it a realty, using a specific color palette in Moda’s Bella Solids. This quilt is now available as a pattern to MQG members as part of Modern Monthly, and will be the feature quilt for June.

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Photo Courtesy of The Modern Quilt Guild (Photographer: Austin Day, Stylist: Lauren Day)

The original inspiration was this cog and spoke machinery, that I had captured at the Shantytown Heritage Park a couple of years ago. I was fascinated by the arrows of the cogs, to think that these interlock and make something move… just loved the pattern and shapes.

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Not my usual color palette but I grew to love this supplied color palette (Rust, Coral, Teal with backing and binding fabric Zen Chic’s Day in Paris). The batting was also supplied by Quilter’s Dream which I had not used before but really enjoyed the low loft. The quilting was done in 50wt Aurifil 2420 (light Coral color). I shadowed the zigzag and used some extra ghosting in areas for interest. In the larger negative space areas, I just used vertical 1/2 in. straight line quilting.

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Photo Courtesy of The Modern Quilt Guild (Photographer: Austin Day, Stylist: Lauren Day)

I was so pleased when the MQG posted the pics of this project, for:

  1. I was finally finished with the quilt. I had stitched this quilt in a period of a creative block and in midst of over commitment with craziness at work, additional travel and prepping for teaching my first time at QuiltCon. It was such a relief to see this done
  2. The staged pictures that the MQG produced (see captions of photos for photography and stylist) were just amazing. I mean look at the wall and how much it makes this quilt pop !!! Amazing!!

As I marked my quilt with chalk, I had to give a spin in the washing machine and dry it. I love that finish crinkly look of this piece.

Details

Name : Tread
Design:
 Original Design, Inspired by Cogs
Fabric: Moda Fabrics, Bella Solids – Rust, Coral and Teal
Binding: Moda Fabrics, Zen Chic, Day in Paris (Teal)
Dimensions: 60 x 60 in.
Quilted: With 50wt Aurifil 2420 (Coral), using domestic machine walking foot, straight lines.

 

Book Project: Group {a finish}

As part of my book, I want to show people how to work together as a group designing a quilt. So, I have a couple of projects that highlight a couple of ways of doing that. The first group project is all finished and counts as my last finish of 2018.

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I had some amazing people contributed. A big thank you to all those that volunteered.

Lynne @monkeyneedle
Paige @quiltedblooms
Tania @iamgingerq
Nicole @mamalovequilts
Sophie @lunalovequilts
Jenn @jennrodriguez1
Melissa @meliherboth
Louise @imfeelincrafty
Valerie @valbetweenquilts
Rebecca @creativeblockquilts
Abigail @cutandalter
Sharon @sharonhollanddesigns

Check out who made what on my instagram feed (@ml_wilkie).

Once I received the blocks I decided that I did not want them all straight and very grid like, and wanted to add some wonkiness. This was accomplished with the sashing between blocks. The other thing I decided I wanted to do was add a color key of the palette used in the quilt. This was accomplished with the flying geese addition on the bottom right.

I had decided early on that most of my quilts for my book, I will be paying for someone else to quilt. It is not my favorite part and if I waited for me to quilt them all, we would never be finished. Luckily, in the quilting community there are lots of people who love this part of quilting. Krishma (from @krishmaquilts) is one such person and does amazing work. I have watched Krishma on social media grow over the last few years and her quilting skills are impressive. I asked her to quilt this one for me. She did an amazing job.

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Lastly, the binding I added was to ground and frame the quilt. Navy blue was an obvious choice, however, this particular C+S print was perfect. I loved the grid look but the small  surprises were in the colors that matched the quilt…white and pink/coral. A perfect finish.

Details

Name : ??? still needs a name – open to suggestions. 
Design:
 Design as a group
Fabric: Defined color palette use of solids and prints; whatever was in stash
Binding: C+S
Dimensions: 
Quilted: By Krishma from Krishma Quilts

The quilt is done but I don’t have a name for it. If you have any ideas, please leave a comment?

 

 

 

Mt. SohCahToa {a finish}

When designing a new quilt design, I am usually inspired by things around me and what I have seen. This time was no different. This past year (April 2018), we had the most amazing road trip in Utah and a smidge in Arizona. We visited 7 national parks and a couple of other parks in 7 days (Arches, Canyonlands, Natural Bridges, Monument Valley, Glen Canyon Dam, Horse Shoe Bend, Antelope Canyon, Zion and Bryce Canyon @ml.wilkie_adventures).

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More images of our trip you can check out my other Instagram account (@ml.wilkie_adventures)

It was such an inspiring trip. One of the images that made me think of a quilt design was one of the La Sal Mountain range seen from Arches National Park. The continuous looking peaks lead me to a design using lines of angled triangles. The color’s represent the snow-capped peaks and rock base. These colors are also inspired by the color of the mountains from a distance.

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I submitted the design to the MQG for a Quilt of the Month and it was released in December (lucky last of the year).  Knowing that I had to make a pattern from this, meant I actually needed to consider repeatability and provide measurements that when making  I wouldn’t normally worry about.

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After some trail and error, I paper pieced the triangles as accuracy of those triangles were important to the overall design. In a hilarious conversation with friends on working out the length of those rows, I broke out my math skills. As these are isosceles triangles, I divided a single triangle down the middle and worked out 1/2 Base using the right-angled triangles using some geometry (Soh-Cah-Toa). This gave me enough to calculate the length of those rows for you all but more importantly a few laughs with friends. When it came to naming the quilt, this conversation lead to the name.

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For quilting, I used a light blue grey Aurifil thread for some 1/2″ straight line quilting. I used the horizontal lines of the triangles as a guide. As a surprise, adding more interest, some echoed triangles were stitched randomly into the quilting lines. You’ll find these not only within the triangles but also echoed in some of the negative space.

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Lastly, I wanted to highlight that last horizontal lines (the base of the snow line). I did this using two different colors in the binding and color blocked it to match the fabric color palette in the design.

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Details

Name : Mt. Soh-Cah-Toa
Design:
Design by myself
Fabric: Paintbrush Studio’s Painters Palette Solids.
Binding: Paintbrush Studio’s Painters Palette Solids
Dimensions:  60″ x 60″
Quilted: Straight Line 1/2″ with inset echoed triangles

If you are an MQG member, you can get this free pattern from the resources web page here.

Correlation {a finish}

I am not very good at following through on activities that require something every day, whether its following a diet and tracking, or doing a 30 day or 100 day challenge. However, I was given an opportunity to participate in a 100 day showcase, and decided to take it. I had this idea that had been percolating for a while.

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The idea and initial limits were:

  • Use a variety colored angled blocks together in one quilt
  • Use of two colors and white per block
  • Angles for each color were cut without planning (improvisation).
  • Use my Denyse Schmidt Free Spirit solids box that I had been saving in a draw for years.

The process of creating blocks was very interesting and a few additional design decisions were made along the way:

  • By day 20, I already felt overwhelmed by the angles and color and thought it needed more balance. So, single white blocks were incorporated into the design to provide much needed negative space. I think this is a great example of how to use negative space and how it can interact and be part of the overall design.
  • I added two additional block modifications. I included 3 blocks with one color and white, more as accent pieces. I also included 3 blocks with just two colors and no white.
  • I alternated the direction of the blocks to create some great negative space designs.
  • I also started positioning them on a diagonal gradient like a scatter plot / correlation (hence the name and relates to my day job).

I loved how it turned out. I love the color, the balance and the fact there’s always something to find in the blocks. Check out #100daysofcoloredangles for progress shots.

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For the quilting, I knew I was going to use straight line quilting. I also though about the quilt as a single block, so the quilting was done at angles like one of the original single block designs. I taped out the angles I was going to use, and leveraged the 1″ think tape as border lines for the 1/2″ quilting lines. In each area the lines follow various angles. IMG_5156

The binding was matched to one of the accent pieces, which I am super pleased with how that turned out.

I have multiple ideas now for additional quilts of this nature and will probably make one or two more. It was fun and very happy to add the easier negative space blocks to the quilt. It made the 100 days much easier to complete.

Details

Name : Correlation
Design:
Design by myself
Fabric: Kona White; Denyse Schmidt, Modern Solids, Free Spirit
Binding: Kona Aruba
Dimensions:  55 x 60″
Quilted: Straight Line 1/2′ quilting with Aurifil 2021.

 

Manicured Gardens {A finish}

Manicured Gardens is my first finished project for my book. I am so happy how it turned out. Each of the blocks are made using needle-turned appliqué.  As my book will be on design, I am going to make you wait for my book for more details on inspiration, fabric selection, and other design choices. I am hoping will be done this coming year (such a tease I know). I have made my book the focus for 2019, and in doing so limited my other commitments. I really want to have it done so I can share it with you all.

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I asked Suzan from Singing Stitches if she could custom quilt it, as I had seen her amazing work on a couple of other quilts (made by a friend of mine). We had a great conversation on what I was looking for and she did an amazing job.

I did decide to enter it into our local state fair recently where it placed first in Dual quilts and also received one of the top four prizes. I was so excited it placed well. This quilt is so hard to capture in photos, it’s so much more in person.

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The photos are courtesy of my husband and son, as I cannot stand crowds. So the boys went to the State Fair for me and took a few pics. Aren’t they amazing!!

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Anyway, I get asked about a pattern for this quilt….The pattern will be available for this quilt as an exclusive add-on/supplement for the first 100 or so copies of the book. I then plan to sell the pattern as an individual release in a couple of months following the book release.

Details

Name : Manicured Gardens
Design:
Design by myself
Fabric: Alison Glass Fabrics with white on white/cream fabrics
Binding: Alison Glass
Dimensions:  50 x 50″
Quilted: Suzan deSerres, Custom quilted