Introspection {design process}

As some of you know, participating in Quilt Design a Day has been such a great activity for me. It has given me the ability to find myself as a quilter, find out what I like and don’t like, and given me the ability to focus. The thing I am most thankful for, is being more aware, opening my eyes to the world around me.  I would like to share with you all some of my experiences over a few blog posts, let’s try every two weeks to start and see where the journey takes us. There maybe even some link-ups, if you all are interested sharing, as we go on this journey. I would love to hear your thoughts and what you all see in your journey too.

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Have you noticed that we all have a natural ability to find things we like and that draw you in. Most of the time though, we don’t spent time in that moment, however I think that changes, at least for me, when you are on vacation or actually chosen to be in the moment. That’s why we take photo’s right.

Moment 1: OBX

While on vacation at the Outer Banks, NC, we spent time at the beach by Hatteras Lighthouse. It has, what I think is an amazing remnant of a jetty or boat ramp. I find it so stark both within its environment (nature vs. man-made) and in color (dark vs. light).

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The color palette of this spark is very neutral and making this work as a quilt design was a bit of a struggle initially. I started with my usual minimal style with just using vertical lines to represent the jetty and it moving into the center of the picture.

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It was not enough for me and I felt it needed more in the background so I started playing with adding triangles. Once complete, the bars now were not as visible and I didn’t think they were required. I played around a little more with the balance for the representative jetty remnant, surf and sand. This was my final result:

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This turned out much better than I could image and I love the fact its more the idea it represents vs. the actual shapes that are in the spark.

Moment 2: Mosaic

Walking through the slave quarters, at a Charleston plantation was very humbling. The history was felt and I loved the pieces that were in the quarters representing past lives. In one of the quarters was this mosaic of broken things that were unearthed.

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This lead me a more traditional modern design for me, with the focal point of the circle and dark green bottle shard (with the coral dot) becoming a focal point also in my design. I liked the color palette for the blues/aqua and was automatically drawn to overlapping shapes. The hardest thing for me, in this design, was playing with the placement of the shape. Originally this shape was turned 45 degrees, which made it a more flat shape. After playing withe angles and placement, I like it much better on point.

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Lastly, I played with the repeat. This is the final design, for now, but I am still thinking about thinning out the denser columns (removing maybe one shape from each column).
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I hope you enjoyed my walk through and thoughts of my design process for these two.  I would love to hear your feedback or if you have questions or want to know more about something, please leave a comment below. Additional information on my quilt designs can also be found here:

  • QDAD page for a summary or instagram #qdad (for several other designs) #qdad2reality for finished quilts.
  • Quilt design class

Please Note: If you would like to make or use one of my designs, please email me (ml_wilkie(at)hotmail(dot)com) or leave a comment below. I am happy to talk with you on options and provide the relevant measurements etc. or have you test out a pattern. Also, if you use one of my designs, please use the following text to credit me the design: “Designed by Michelle Wilkie @ Factotum of Arts”.

Succulent meets Bauhaus designs

What do you get when you are inspired by succulents and Bauhaus designs?? This is what came out of my quilt design a day exercise.

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I love this color palette as it is somewhat outside of my comfort zone as many of the colors are muted.

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When discussing with the wonderful Alice from Love Patchwork and Quilting, on submissions, she asked if it would be possible to take this initial design and make a 3 part pillow set. I was so excited about the idea, and thought it would be great. The second design was pretty quick and the third took about 2 weeks, but it was so worth it as I love how all three came out.

This month two of the three designs, are now available in issue 34 of Love Patchwork and Quilting, which was released today (digital format).
Issue 34 cover

The process of making these into pillows was really a great new experience. These designs are super complex for such a small space. I did make the first design a Euro style pillow size 26″ as it really couldn’t easily translate any smaller.  This original design did not make it into the magazine but I am working on making the pattern available soon.

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The other two designs, inspired by this one, were somewhat simplified and worked great as a 20″ pillow. Love Patchwork and Quilting does such a great job of staging – look at this second design. The design picks up on the triangular negative space within the center of the above design and the triangle border.

Michelle Wilkie(1)[Photo Credit: Love Patchwork and Quilting]

The third design, focuses on the mix of the lines and the smaller triangles nested in the larger triangle and border.triangle cushion front[Photo Credit: Love Patchwork and Quilting]

I love the pillow backs, I used Heather Givens, grey succulents fabric which is still available online at my LQS – Cary Quilting Company.

Details

Name: Abstract Trio
Design:
Designed by me
Fabric: Kona Cotton – Silver, White, Seafoam, Sweet Pea, Pesto, Amethyst, Dusty Peach
Backing Fabric: Grey Succulents, Heather Givens
Dimensions: 20″ x 20″
Quilted: Straight Line quilting, Aurifil #2420 Light Pink 50 wt

There are some other amazing projects in this issue, so I hope you take a look, available today via digital release (arrives in the US in 4-6 weeks).

 

Treehouse Ladders {a finish}

I recently attended Sewtopia in Atlanta. You could choose to participate in a fabric challenge – in this case it was using Michael Miller fabrics. I decided I would use the 3 solids and 1 of the prints ( the four most right) in my quilt. I also added 3 additional Cotton Couture; the blue, green, orange for a pop-art feeling.
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I decided that my Treehouse  Ladder Design would be great to play with the these bright fabrics. This was one of my designs from Quilt Design a Day.
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I loved how it turned out, especially the balance of color. I made a couple of design changes:

  • Worked on color placement and decided to add white.
  • Decided that the print was too overpowering for the solids and decided to just use partial pops of the print.
  • Added additional ladders in column 4 and flipped column 5.
  • Deciding on black striped binding, in line with the pop art feel

Treehouse Ladders Finish

I had an interesting time with the back as I made two of them. My first make will now be a quilt as it didn’t seem quite right for this one and could easily hold its own as a front. It’s a large improvisation Log Cabin block
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I simplified the back using a simple improve strip with left over Grey Cotton Couture I had from a previous quilt. Back Treehouse Ladders

The quilting was to echo the ladders both vertically and horizontally. I used invisible thread (premium sulky invisible thread), as there was no good color that matched the bright color palette of this quilt.  Additionally, I added 5 quilted detail areas in light grey Aurifil  thread, to add interest (example: top left).

Treehouse Ladders Close-up

This quilt will be donated to our Guild’s (Triangle MQG) Charity.

Details

Name: Treehouse Ladders
Design:
Designed by me
Fabric: Michael Miller Cotton Couture and Valencia, Color Play Blue, Laura Gunn
Binding: Michael Miller, Stripes, Clown Stripe in White
Dimensions: 42″ x 42″
Quilted: Straight Line quilting, Premium Sulky Invisible thread, FMQ, Aurifil light Grey 50 wt

Linking up for Finish it up Friday with Amanda Jean over at Crazy Mom Quilts.