Category Archives: Project Finishes

Scrap Dive – Study no. 3 {a finish}

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Idea

A couple of years ago I discovered the Lisson Gallery in New York as I went to see a Carmen Herrera exhibit there. The next show, was Stanley Whitney. I had never heard of him. He is African American artist, and I was fascinated how he played with blocks of color in a very vertical/horizontal grid like fashion. They are such amazing compositions, maximalist with color but minimalist in shapes.

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Design | Create

His pieces are just amazing!! My mind, after seeing this work, could not let go of how to do the same color play in textiles. Around the same time, friends and I were talking about how to use larger scraps of fabric up.

What is a scrap you might ask?
I store most of my fabric, that is a fat quarter or larger, wrapped around comic book boards. Smaller scraps are stored in the white bins you see below. So to me, I consider a large scrap a fat eighth, a scrap that I can still fold nicely but won’t fit around a board.

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Pulling out these larger scraps, I realized they would be perfect to explore color play in a similar way that Stanley Whitney’s pieces speak to me.

I have done three studies exploring color with my scraps. Whitney was the first and I explored this using a similar composition to Stanley Whitney pieces. Stanley, the second exploring more the lack of color with neutral colored scraps and using other fabrics like denim, linens and feed sacks. The third is Scrap Dive – Study no.3.

I always start making each piece by putting the scraps I have on the design wall.  I edit placement and what stays or goes directly on the design wall. The initial pull and layout of Study no. 3 still had the bands of vertical color. It evolved as I wanted to play more with my own layout and explored a quadrant-like composition using a linen scrap to put up the boundaries.

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While this layout you could see the movement from warms to colds, I wanted to really show the movement more around the quilt, almost like a color wheel. I moved things around so each quadrant took on different colors – Reds/Oranges, Reds and Yellows, Greens, and Blues (ROYGBIV). The other thing I found difficult was what to put in the center. I tried adding a variety of prints until I decided on my strip piecing from a class sample I was using.
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The last design decision was the binding. I tried 20-30 different solids and prints to see what would work. Nothing. Then I was looking at recently purchased backing fabric and realized that this crazy colorful Melody Miller print from Ruby Star Society would be perfect.

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Quilt

I put the quilt top away for a while as I had no clue how I was going to quilt it.  Finally deciding on straight lines, I decided to start with a grid of 1/2″ line for the center.
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Each quadrant was then quilted with alternating vertical and horizontal straight lines. The other detail that might be hard to see is within the boundary lines, around the gridded center the lines in the boundaries are just vertical or horizontal. The boundary lines are then gridded where the two color sections are against each other.

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Details

Name : Scrap Dive – Study No. 3
Design:
 Original Design
Fabric: Variety of solid scraps
Backing: Frolic Wide-back, Tula Pink (green)
Binding: Social Bird on a wire, Melody Miller, Ruby Star Society (navy)
Dimensions:
58 x 82 in.
Quilted: 1/2″ Straight line and gridded quilting using Aurifil white #2021(center), cream #2310 (quadrants)

Smaller Projects of 2019

I find I am more creative if I don’t get too bogged down with larger projects. I intersperse smaller projects while making those larger time consuming ones. Last year, a lot of those smaller projects landed up being gifts.

My favorite of the projects, were these vintage wood egg cups that I made into pin cushions. I tried a variety of cushion fillers and in the end used felt balls. I used wood glue to glue in the balls to both the wood cups and these swan ceramic cups (its all I had on hand).

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After sorting through a boat load of fabric and pulling a destash pile out, I found this Lotta Jansdotter print. I was in desperate need for napkin sized placemats for our Bistro table in our sun room. This fabric was perfect with out color scheme. IMG_8687

Lastly for charity, pillow cases were big last year and so super quick and easy to make. Also used yardage which is great if you want ways to use some fabric up. fullsizeoutput_1585

I made more pillow cases for my son, friends kids and these neon pink ones for @wasntquiltinaday who is a pink and cat fan. Loved these fabrics by Sarah Golden.IMG_8921

This year, especially during quarantine the small projects have been the life saver. It feels good finishing stuff and then getting to gift it or use it.

Isolation {a finish}

Idea

Have you ever felt left out, or just on the outside of a group or even cast out? I assume most people at one time or another have felt like that. I have at various times, more than once. This quilt was originally designed based on that feeling of being on the “outs” from a group.

Design

I started the design with an idea of a group people being represented by 10 lines; 9 black (representing the group), 1 red (representing me or the person who was feeling left out). The other big decision I made was on the placement of the red line. Originally, I had the red line to the right but still in alignment with the group of black lines.

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In the end, I moved the red line down 50% and decided to emphasize the mis alignment.

Create

The piecing was relatively simple. I did stitch the Width of Fabric (WOF) black and white strips together before I cut them to size to make it easier and more precise. I used Robert Kaufman Kona cottons for the piece; White, Black and Ruby.

Backing is Moda Fabrics Chicken Wire print. I choose this as it fit the theme of being in prisoned or cordoned off.

Quilt

Since COVID-19 isolation, I have been looking at this unfinished quilt top, and it speaks to me now of self-quarantine and the distance from our friends and family. As a person with Asthma, considered to be in a riskier group (if I catch COVID-19 my symptoms may be more severe), I am realizing I might be here in quarantine for a couple more months.

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These feelings of being into quarantined introduced the idea of ripples and how things effect other elements. I decided to show this effect by using overlapping circular designs around the two groups. The top negative space is then finished with vertical lines and the bottom with horizontal lines, again showing different forces with the direction. All the quilting is 1/2″ lines.

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Finishing this quilt did lift a weight off my shoulders, I did not know needed to be lifted. It was great being able to express yourself through art. The feedback from the community and how people have related has been so wonderful. Thank you all.

Details

Name : Isolation
Design:
 Original Design
Fabric: Robert Kaufman Kona Cottons White, Black, and Ruby
Backing: Moda Fabrics, Chicken wire
Binding: Carolyn Friedlander, Carkai
Dimensions:
34 x 41 in.
Quilted: 1/2″ Circular & Straight line quilting using Aurifil #2021