Category Archives: color

One of these things {a finish}

Idea

I have trouble expressing my feelings and thoughts into words and talking about it. This quilt represents my wish that human nature can embrace difference. Different is beautiful, wonderful, inspiring and makes life and things around us interesting. It saddens me that often being different is used to divide us, introduce fear, hate or violence. We need to do better.

Design

The design and name of this quilt was inspired by the Sesame Street Song “One of these things“. It teaches that things are different and says “one of these things doesn’t belong” so are we teaching children that those that are different don’t belong??? I hope we can teach children and people to accept people who are different from themselves and listen, learn and understand each other.

I designed this being 4 panels, 3 being the same and one being different. I choose simple shapes, squares being on the three panels and a circle (quarter of a circle) in the different panel.

The color choices came of the squares and circles being used and reminded me of the childhood toy – Tupperware’s Shape-O Toy. I used blue as the background and yellow as the shape on the 3 square panels and reversed these for the circle panel. The red was added as the border to tie the 4 panels together and used to frame them.

Create

Most of this quilt was simple measurement and piecing. The most complex piece was how to get the large curve (5″ radius in the middle with 15″ on the outer circles. Luckily, I purchased a wood working compass for my husband a couple of years ago. I used this to mark and cut my circles (maximum radius for the compass was 15.5″).

The other big step for creating was matching the binding which I do often. I really like the effect. I matched some of the quilt while adding the red to a blue area. The best tutorial out there for block matching binding is from A Quilters Table.

Quilt

So for each panel I did decide to quilt them exactly the same way.

Outside of the shape – horizontal 1/2″ straight lines
Inside of the shape – vertical 1/2″ straight lines
Shape itself – 1 x 2″ grid lines

There was a bit of effort to bury threads so that you get a neat look where lines stop in the middle of the quilt. See previous post for some pictures.

Details

Name : One of these things
Design:
 Original Design
Fabric: Kona Cotton (Bright Light, Blueprint)
Backing: Ruby Star, Rashida Coleman-Hale, Stella, Moon Hills (blue and yellow)
Binding: Kona Cotton (Bright Light, Blueprint, Valentine)
Dimensions: 
30 x 20 in. (total 60 x 40 in.)
Quilted: Straight lines walking foot quilting, Aurifil #6738 and #2120
Start date: 21 July 2018
Finish date: 21 April 2021

Mod Squares {free pattern}

This is the second pattern I am releasing here as a free pattern, as it is no longer available on Sew Mama Sew (published 2014). Mod Squares is basically using a traditional 9 patch block, where I played with both size and color placement of the pieces.

This was an early quilt I had made (so not perfect), I think it was the first time I tried free motion quilting. It is, however, one of the most loved lap-quilts and lives in my son’s room. I hope you enjoy the pattern too, as it would make a great baby gift.

How it started…

The original color palette (Design Seeds) was very vibrant and strong, but highlighted different ways color can be used to make a block very different.

For this quilt though, I wanted a softer look. After playing with the fabric selection and introducing the use prints, low volume prints and several neutral solids, the look of the design completely changes. 

Quilt Details

Size: 54” x 54”

Terminology

WOF – Width of Fabric
RST – Right Sides Together
Seam Allowance: 1/4” seam allowance

Fabric Requirements

Fabric A (Variety of Low Volume Fabrics): 1 yard (largest 2 pieces must be 24″ square)
Fabric B (Variety of Neutral Fabrics): 1 yard (eg. Kona Cotton inBone, Parchment, Silver, Stone, White PDF, largest piece must be 24″ square)
Fabric C (Kona Oyster): 2 yards
Fabric D (Doiland Gloss in Plum, Indelible, Katarina Roccella): 1 yard
Fabric E (Floret Stains in Tealberry, Indelible, Katarina Roccella): 1/2 yard (18″ x WOF)
Backing fabric and Batting: 60” Square 
Binding: 226” (of your desired binding width, I use 2 1/4″) 1/2 yard

Cutting Instructions

FabricCutting Instructions
Fabric ATwenty-four (24) 5” squares
Five (5) 2 1/2″ squares
Fifteen (15) 2 1/2” x 5” strip
Two (2) 24” square (for the Back)
Fabric BNine (9) 5” squares
Three (3) 2 1/2” squares
Eight (8) 2 1/2” x 5” strip
One (1) 11 1/2” x 24” strip (for the Back)
One (1) 24” square (for the Back)
Fabric CTwenty-four (24) 5” squares
Five (5) 2 1/2″ squares
Twenty-seven (27) 2 1/2” x 5” strip
Two (2) 2 1/2” x 54” strip (for sashing)
Five (5)  2 1/2” x 50” strip (for sashing)
Twelve (12) 2 1/2” x 11 1/2” strip (for sashing)
One (1) 11 1/2” x 24” strip (for the Back)
One (1) 24” square (for the Back)
Fabric DTwo (2) 5” squares
Two (2) 2 1/2” squares
Thirteen (13) 2 1/2” x 5” strip
One (1) 24” square (for the Back)
One (1) 11 1/2 ” x 23 1/2” strip (for the Back)
Fabric E Five (5) 5” squares
One (1) 2 1/2″ squares
One (1) 2 1/2” x 5” strip
One (1) 11 1/2” x 24” strip (for the Back)
Table 1: Fabric Cutting Instructions

Preparation

It is important to plan your layout for your blocks. You can also available for download your own planning map here. Once you have your placement as you want it, take a picture.

Fabric Layout Map (by assigned letter)
Fabric Map Placement showing Print placement

TIP: Once you cut your blocks and decide on placement, pin and label all block pieces until you are ready to sew them together.

Block Assembly

  1. Each block consists of four (4) 5” squares, four (4) 2 1/2” x 5” strips and one (1) 2 1/2” square. The layout for all the pieces is represented below.
  2. Sew the pieces of each row  together. Press your seams. NOTE: My preference is to press my seams open.
  1. Sew the rows together (Row 1 to 2, Rows 1,2 to 3). Align the seams and pin in place to hold the alignment. Press seams. NOTE: To hold seam alignment in place, an alternative pinning method is glue.
  1. Repeat steps 1-3 for the other 15 blocks, keeping in mind placement of fabrics for each block.

Quilt Top Assembly

  1. Add the 2 1/2” x 11 1/2” sashing strips to the 11 1/2” blocks as depicted below. Press the seams.
  1. Add the 2 1/2” x 50” sashing strips to each of the block rows. Press the seams.
  1. Final step is to add the top and bottom 2 1/2” x 54” sashing strips to finish the top.

Quilt Back Assembly

  1. The quilt back is a larger version of the smaller blocks that are used in the quilt top. The back consists of four (4) 24” squares, four (4) 11 1/2” x 24” strips and one (1) 11 1/2” square. 
  2. To construct this block follow steps 1-3 above in section Block Assembly.
Back of quilt

Final Quilt Assembly

When the top and back are completed, baste and quilt your sandwich as desired. Square your quilt and bind it to finish your quilt.

This is a great quick quilt top to put together, perfect quilt for your sofa or for a kids blanket. Also, you can have fun with the fabric choices, color and placement. I would love to see the final quilts on Instagram, so feel free to share with #modsquaresquilt. Have fun!!

Orange Creamsicle {a finish}

As QuiltCon Together approaches (02/18/2021) I thought I would share this quilt that made it into the virtual show but had not made it onto my blog so far. 

Say hello to Orange Creamsicle. Orange Creamsicle started with a single block that I had hoped would be a great compliment to the rest of the Sunday Best blocks.

IMG_6340

To be honest the block just didn’t really work with the rest of quilt. Yes, that became the start to Orange Creamsicle.

IMG_6332

I introduced some limits to this quilt after the first block, as I really wanted to try making a quilt top without modern equipment. I wanted to see what it was like for women of the past who made quilts.  Those limits included:

  • Limited color palette (pinks, oranges, yellows, red, purple – a warm color palette)
  • All fabric was cut with scissors (typically scissors less that 4″ so they could travel on the plane)
  • All blocks with hand pieced. Stitched up by hand.
  • The drunkard path blocks were roughly 6″ finished. They again were squared up using scissors.

If any block did not measure 6″ finished I used filler strips. A design decision was made to introduce aqua into these strips to give the eye somewhere to rest. 

Journal_OrangeCreamsicle1

I really enjoyed this project. Much of it was done on work trips or on vacation. I remember stitching blocks in Germany while visiting my husband’s family and in Olympic National Park as we drove from sight to sight.  The best thing is I learned a lot about hand piecing that I had not known before.

  • Back stitch, 2-3 stitches at the beginning and end of your lines instead of using notes.
  • Stay stitch across each seam for stabilization and then also every 1-1 1/2 inches.
  • Mark a 1/4 ” line so your stitch lines are relatively straight.
  • Stitch multiple stitches at a time with your needle. You will get straighter and more consistent stitching.
  • I used a 10 needle and 50wt aurifil thread which worked well for just piecing.
  • Next time I will match my thread to the fabric palette and use a warm color (like orange). I used white as that is what I had on hand. You will see your stitches as they are larger than what you get with a sewing machine.

While visiting my family in New Zealand I laid out the blocks for determining final layout. Once I thought the balance of colors were right the rows of the tip were hand stitched together.  The limits of mostly handwork made this perfect for a traveling quilt project.

IMG_8095

I decided to give this quilt a little something else and pieced the back from scraps. The scraps were in the same color palette as the front but were all prints. They were mostly pieced in a column like fashion, again using improvisation. I was really pleased with how many of my favorite prints were in my scrap bin that made it into the back and shocked to see how much of my scraps were still in the storage jars, after I had finished.

Early on I had made a decision to use match stick quilting with a variety of warm colors. I also wanted to add a few hand quilted lines with a 28 wt thread. It was my first time hand quilting since taking a class with Season at QuiltCon (S.d.evans). I started in the middle and laid down the first few lines….and then this quilt stopped progressing.

Thankfully, I had a fire lit to try and finish some of my WiPs in the middle of 2020 (while in quarantine. Orange Creamsicle made the list.   I have no idea why it took so long to get back to it, as it did not take long to finish. The quilting added an amazing amount of texture. There is also a guarantee, with this many quilting lines, these blocks will never fall apart.

Binding was an easy decision, it was which ever orange solid color that I had a 1/2 yard of. I also used the aqua for the bottom right corner as I love that line at the bottom there and it would almost have disappeared if orange was used.

I am really pleased with how this turned out. I did do a little happy dance as this one came off the machine.

Details

Name : Orange Creamsicle 
Design:
 Original Design
Fabric: Kona Cotton (Variety of warm colors + ? )
Binding: Kona Cotton
Backing:
 Various Print Fabric scraps
Dimensions: 36 x 48 in.
Quilted: With 50wt Aurifil , using domestic machine walking foot, straight lines matchstitck + 28wt Aurifil hand quilted.