Category Archives: Patterns

Mod Squares {free pattern}

This is the second pattern I am releasing here as a free pattern, as it is no longer available on Sew Mama Sew (published 2014). Mod Squares is basically using a traditional 9 patch block, where I played with both size and color placement of the pieces.

This was an early quilt I had made (so not perfect), I think it was the first time I tried free motion quilting. It is, however, one of the most loved lap-quilts and lives in my son’s room. I hope you enjoy the pattern too, as it would make a great baby gift.

How it started…

The original color palette (Design Seeds) was very vibrant and strong, but highlighted different ways color can be used to make a block very different.

For this quilt though, I wanted a softer look. After playing with the fabric selection and introducing the use prints, low volume prints and several neutral solids, the look of the design completely changes. 

Quilt Details

Size: 54” x 54”

Terminology

WOF – Width of Fabric
RST – Right Sides Together
Seam Allowance: 1/4” seam allowance

Fabric Requirements

Fabric A (Variety of Low Volume Fabrics): 1 yard (largest 2 pieces must be 24″ square)
Fabric B (Variety of Neutral Fabrics): 1 yard (eg. Kona Cotton inBone, Parchment, Silver, Stone, White PDF, largest piece must be 24″ square)
Fabric C (Kona Oyster): 2 yards
Fabric D (Doiland Gloss in Plum, Indelible, Katarina Roccella): 1 yard
Fabric E (Floret Stains in Tealberry, Indelible, Katarina Roccella): 1/2 yard (18″ x WOF)
Backing fabric and Batting: 60” Square 
Binding: 226” (of your desired binding width, I use 2 1/4″) 1/2 yard

Cutting Instructions

FabricCutting Instructions
Fabric ATwenty-four (24) 5” squares
Five (5) 2 1/2″ squares
Fifteen (15) 2 1/2” x 5” strip
Two (2) 24” square (for the Back)
Fabric BNine (9) 5” squares
Three (3) 2 1/2” squares
Eight (8) 2 1/2” x 5” strip
One (1) 11 1/2” x 24” strip (for the Back)
One (1) 24” square (for the Back)
Fabric CTwenty-four (24) 5” squares
Five (5) 2 1/2″ squares
Twenty-seven (27) 2 1/2” x 5” strip
Two (2) 2 1/2” x 54” strip (for sashing)
Five (5)  2 1/2” x 50” strip (for sashing)
Twelve (12) 2 1/2” x 11 1/2” strip (for sashing)
One (1) 11 1/2” x 24” strip (for the Back)
One (1) 24” square (for the Back)
Fabric DTwo (2) 5” squares
Two (2) 2 1/2” squares
Thirteen (13) 2 1/2” x 5” strip
One (1) 24” square (for the Back)
One (1) 11 1/2 ” x 23 1/2” strip (for the Back)
Fabric E Five (5) 5” squares
One (1) 2 1/2″ squares
One (1) 2 1/2” x 5” strip
One (1) 11 1/2” x 24” strip (for the Back)
Table 1: Fabric Cutting Instructions

Preparation

It is important to plan your layout for your blocks. You can also available for download your own planning map here. Once you have your placement as you want it, take a picture.

Fabric Layout Map (by assigned letter)
Fabric Map Placement showing Print placement

TIP: Once you cut your blocks and decide on placement, pin and label all block pieces until you are ready to sew them together.

Block Assembly

  1. Each block consists of four (4) 5” squares, four (4) 2 1/2” x 5” strips and one (1) 2 1/2” square. The layout for all the pieces is represented below.
  2. Sew the pieces of each row  together. Press your seams. NOTE: My preference is to press my seams open.
  1. Sew the rows together (Row 1 to 2, Rows 1,2 to 3). Align the seams and pin in place to hold the alignment. Press seams. NOTE: To hold seam alignment in place, an alternative pinning method is glue.
  1. Repeat steps 1-3 for the other 15 blocks, keeping in mind placement of fabrics for each block.

Quilt Top Assembly

  1. Add the 2 1/2” x 11 1/2” sashing strips to the 11 1/2” blocks as depicted below. Press the seams.
  1. Add the 2 1/2” x 50” sashing strips to each of the block rows. Press the seams.
  1. Final step is to add the top and bottom 2 1/2” x 54” sashing strips to finish the top.

Quilt Back Assembly

  1. The quilt back is a larger version of the smaller blocks that are used in the quilt top. The back consists of four (4) 24” squares, four (4) 11 1/2” x 24” strips and one (1) 11 1/2” square. 
  2. To construct this block follow steps 1-3 above in section Block Assembly.
Back of quilt

Final Quilt Assembly

When the top and back are completed, baste and quilt your sandwich as desired. Square your quilt and bind it to finish your quilt.

This is a great quick quilt top to put together, perfect quilt for your sofa or for a kids blanket. Also, you can have fun with the fabric choices, color and placement. I would love to see the final quilts on Instagram, so feel free to share with #modsquaresquilt. Have fun!!

Tread {a finish}

The design for this quilt, Tread, was originally created as part of an article for the Modern Quilt Guild (MQG) on finding elements and designing a quilt. I was lucky enough to be asked to make it a realty, using a specific color palette in Moda’s Bella Solids. This quilt is now available as a pattern to MQG members as part of Modern Monthly, and will be the feature quilt for June.

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Photo Courtesy of The Modern Quilt Guild (Photographer: Austin Day, Stylist: Lauren Day)

The original inspiration was this cog and spoke machinery, that I had captured at the Shantytown Heritage Park a couple of years ago. I was fascinated by the arrows of the cogs, to think that these interlock and make something move… just loved the pattern and shapes.

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Not my usual color palette but I grew to love this supplied color palette (Rust, Coral, Teal with backing and binding fabric Zen Chic’s Day in Paris). The batting was also supplied by Quilter’s Dream which I had not used before but really enjoyed the low loft. The quilting was done in 50wt Aurifil 2420 (light Coral color). I shadowed the zigzag and used some extra ghosting in areas for interest. In the larger negative space areas, I just used vertical 1/2 in. straight line quilting.

Modern Quilt0220

Photo Courtesy of The Modern Quilt Guild (Photographer: Austin Day, Stylist: Lauren Day)

I was so pleased when the MQG posted the pics of this project, for:

  1. I was finally finished with the quilt. I had stitched this quilt in a period of a creative block and in midst of over commitment with craziness at work, additional travel and prepping for teaching my first time at QuiltCon. It was such a relief to see this done
  2. The staged pictures that the MQG produced (see captions of photos for photography and stylist) were just amazing. I mean look at the wall and how much it makes this quilt pop !!! Amazing!!

As I marked my quilt with chalk, I had to give a spin in the washing machine and dry it. I love that finish crinkly look of this piece.

Details

Name : Tread
Design:
 Original Design, Inspired by Cogs
Fabric: Moda Fabrics, Bella Solids – Rust, Coral and Teal
Binding: Moda Fabrics, Zen Chic, Day in Paris (Teal)
Dimensions: 60 x 60 in.
Quilted: With 50wt Aurifil 2420 (Coral), using domestic machine walking foot, straight lines.

 

Mt. SohCahToa {a finish}

When designing a new quilt design, I am usually inspired by things around me and what I have seen. This time was no different. This past year (April 2018), we had the most amazing road trip in Utah and a smidge in Arizona. We visited 7 national parks and a couple of other parks in 7 days (Arches, Canyonlands, Natural Bridges, Monument Valley, Glen Canyon Dam, Horse Shoe Bend, Antelope Canyon, Zion and Bryce Canyon @ml.wilkie_adventures).

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More images of our trip you can check out my other Instagram account (@ml.wilkie_adventures)

It was such an inspiring trip. One of the images that made me think of a quilt design was one of the La Sal Mountain range seen from Arches National Park. The continuous looking peaks lead me to a design using lines of angled triangles. The color’s represent the snow-capped peaks and rock base. These colors are also inspired by the color of the mountains from a distance.

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I submitted the design to the MQG for a Quilt of the Month and it was released in December (lucky last of the year).  Knowing that I had to make a pattern from this, meant I actually needed to consider repeatability and provide measurements that when making  I wouldn’t normally worry about.

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After some trail and error, I paper pieced the triangles as accuracy of those triangles were important to the overall design. In a hilarious conversation with friends on working out the length of those rows, I broke out my math skills. As these are isosceles triangles, I divided a single triangle down the middle and worked out 1/2 Base using the right-angled triangles using some geometry (Soh-Cah-Toa). This gave me enough to calculate the length of those rows for you all but more importantly a few laughs with friends. When it came to naming the quilt, this conversation lead to the name.

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For quilting, I used a light blue grey Aurifil thread for some 1/2″ straight line quilting. I used the horizontal lines of the triangles as a guide. As a surprise, adding more interest, some echoed triangles were stitched randomly into the quilting lines. You’ll find these not only within the triangles but also echoed in some of the negative space.

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Lastly, I wanted to highlight that last horizontal lines (the base of the snow line). I did this using two different colors in the binding and color blocked it to match the fabric color palette in the design.

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Details

Name : Mt. Soh-Cah-Toa
Design:
Design by myself
Fabric: Paintbrush Studio’s Painters Palette Solids.
Binding: Paintbrush Studio’s Painters Palette Solids
Dimensions:  60″ x 60″
Quilted: Straight Line 1/2″ with inset echoed triangles

If you are an MQG member, you can get this free pattern from the resources web page here.